The Fifth Woman, Nona Caspers
The Fifth Woman, Nona Caspers
Pre-order only. Available August 2018.
At the center of this book is the death of the narrator’s partner in a bicycling accident. Each short chapter serves as a brief vignette of, or occasionally a magical-realist metaphor for, the grieving process. A shadow of a dog appears in her apartment with no apparent source; a crack opens in the ceiling and splits her building down the middle. One day she notices in the alley below her window four women chatting together and a fifth, with no features, standing on the perimeter. She finds herself wondering: What did she want from me? What are the things that matter? At times dryly comical, at other times radiantly surreal, The Fifth Woman is a testament to the resurrecting power of memory and enduring love.
Nona Caspers is the author of Heavier Than Air, which was honored with the AWP Grace Paley Prize in Short Fiction from and listed as a New York Times Book Review Editors’ Choice. Her work has been supported with a NEA Fellowship, an Iowa Review Fiction Award, a LAMBDA nomination, and the Joseph Henry Jackson Literary Grant and Award, among other honors. Individual stories have appeared in The Kenyon Review, Epoch, Black Warrior Review and Glimmer Train. She is a Professor of Creative Writing at San Francisco State University and lives in San Francisco.
PRAISE FOR THE FIFTH WOMAN:
“The Fifth Woman is stealthily astonishing from its first line to its last. Over the course of twenty-three connected short fictions, the writer marks out a trail of mourning that is both quite straightforward and miraculously layered, strange, and emotionally multifaceted. There is not a single sentence in these stories that is not as clear as water…. It is a wonderful book.”
PAST PRAISE FOR HEAVIER THAN AIR:
“The simplest acts—even just noticing one’s breath—become wondrous moments that push characters past anguish to reclaim their ‘bright, insistent, blooming’ lives. Darkly funny, compassionate, and unsentimental, these quiet stories offer memorable, rarely seen views of Midwestern life.”
“Caspers details the many ways reality can interfere with our dreams….Throughout, Caspers’s people…question the decisions they’ve made or the ones they refuse to make. There’s nothing flashy about Caspers’s prose; like the beauty of the prairie itself, its attraction lies in details seen close up.”
—The New York Times Book Review
“Revving up Willa Cather’s naturalism and lesbian undertones with Denis Johnson’s deadpan Plains rowdiness, these are like alt-country songs, tales of wild but not wild-eyed girls, and women as likely to be enraptured by the girl next door as by the lay of the land. The prose is exact, unsparing, unsentimental….Caspers’s pungent voice, her fairness to city and country mores, and the artful arrangement of her tales reward rereading. Simplicity this precise takes time, talent and considerable cultivation.”
—San Francisco Chronicle
“With her finger firmly fixed on the pulse of each heartbeat in these stories, Caspers is infinitely compassionate and revealing in her details, and the moments of dark comedy captured here leaven what’s already a compelling read.”
—The Short Review
“The elegantly crafted short stories…quietly buzz with life and secrets, like a hot summer afternoon in Midwestern farm county. There is a thread of longing that moves through the stories, as the characters watch their dreams decompose under reality’s harsh glare….Caspers is a careful, unsentimental and highly skilled writer….Like Anne Tyler, another Minnesota-born writer, Grace Paley and to a lesser extent Flannery O’Connor, Nona Caspers digs beneath the surface to examine the small details and then brings to life in this quiet, but lovely collection of stories.”
—LAMBDA Book Report