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Titles 2019-

All Heathens, Marianne Chan

14.95

Pre-order only. Available March 2020.

All Heathens is a declaration of ownership—of bodies, of histories, of time. Revisiting Magellan’s voyage around the world, Marianne Chan navigates her Filipino heritage by grappling with notions of diaspora, circumnavigation, and discovery. Whether rewriting the origin story of Eve (“I always imagined that the serpent had the legs of a seductive woman in black nylons”), or ruminating on what-should-have-been-said “when the man at the party said he wanted to own a Filipino,” Chan paints wry, witty renderings of anecdotal and folkloric histories, while both preserving and unveiling a self that dares others to try and claim it.

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Additional Info

Marianne Chan grew up in Stuttgart, Germany, and Lansing, Michigan. Her poems have appeared in West Branch, The Journal, Poetry Northwest, Denver Quarterly, Indiana ReviewCarve Magazine, and elsewhere. She holds an MFA in Creative Writing from the University of Nevada, Las Vegas. She serves as poetry editor at Split Lip Magazine. 

PRAISE FOR ALL HEATHENS:

"Eagle-eyed, soulful, and irreverent, All Heathens  is a collection of gems. Under Marianne Chan’s bright lens, Magellan’s sixteenth-century Philippine arrival feels as immediate as a recent family disaster, while the everyday emblems of our current diaspora—karaoke lyrics, FaceTime, fruit from a balikbayan box—bear the weight of history. These poems look behind the staged photographs and beneath the published travel diaries, poignantly answering the lies and erasures in every official story we’ve heard about leaving or finding home."  

–Mia Alvar  

“Marianne Chan is part of a thrilling new generation of poets for whom the stories and histories we know no longer suffice.  Instead, here are bold accounts of how the center and the margins have been reconfigured, how home and belonging are in variance with each other, and how the distance between the old world and the new world thrums with the intimacy and separation of a FaceTime chat.  When the outsiders, barbarians, and heathens finally tell the complicated truths of their experiences, the result is poetry like Chan’s—brash and wise, piercing and transformative.” –Rick Barot 

“Marianne Chan’s All Heathens  is a map that dissects the colonizer’s maps, a mythmaking that dismantles the master’s myths, a mouth powerful enough to delight in ‘small, tender bites of the whale’s enormous heart.’ In these pages we meet ‘Eve’s Filipino half-sister’ and ‘a castle made of bones.’ We meet ‘ogres and white ladies.’ We meet the question ‘Which came first: / the coming or the desire / to come?’ These poems are made from fire and laughter, airports and the most unexpected dream-portals. History and giddy longing walk hand in hand here. Here, where a ‘ghost wears our raincoats’ and ‘perhaps the heart is the best navigator, / the captain-general / of the living.’ Alive on every page, this book is a song that refuses to sing of anything less than the true, the piercing and true.” 

–Chen Chen 

"Marianne Chan’s All Heathens  takes us on a journey that is constant journey, touching down in, among other places, the Philippines, Germany, Italy, and Lansing, Michigan. Moving like quicksilver from the 15th to the 21st  century with several stops in between, Chan’s attention tends toward big subjects—religion, history, family—but her voice, her perception is personal, intimate, often hilarious, always authentic, always ‘against the current, against the present, on this / king-unsanctioned circumnavigation.’ All Heathens is a debut of the highest order, an exuberant and eye-opening ride across centuries and continents that will leave its reader bedazzled, befriended, and grateful for this vital new voice."  

–James Kimbrell  

"Marianne Chan, by virtue of a truly magical insight, knows that every one of our senses is both traveler and cartographer. Too, she has realized that nothing on earth is more exotic, more a terra incognita, than Love. This is an iridescent collection, a summons to color, mystery and solid ground." 

–Donald Revell