Isabel Duarte-Gray was born in Oakland, California and raised in a trailer in Kuttawa, Kentucky. She is currently a Ph.D. candidate at Harvard University, where she studies Latinx Literature, Poetry, and Ecocriticism. She received her B.A. in English and Russian from Amherst College. Her poems have appeared or are forthcoming in The Colorado Review, Bat City Review, The South Carolina Review, and december magazine, among others.  

PRAISE FOR EVEN SHORN:

"Spilling over with a dark energy, Duarte-Gray’s debut elevates rural dialect and stories into something ancient, brutal, and magical....This memorable debut is filled with profound depth, tension, and delight."
—Publishers Weekly starred review, online and in print

"An impressive debut that reverberates with its anchoring sense of place."
—“Must-Read Poetry: May 2021,” The Millions

"[A] spirited, stimulating advancement of Southern literary traditions."
—Poetry Foundation, online

"Haunting is what this debut collection is and does: Isabel Duarte-Gray tracks family history and violent lineages across Western Kentucky’s small towns. Starting from scant archival traces — quilt patterns, bloodied landscapes, the finest vintages in local gossip — Duarte-Gray resurrects ghostly testimonies, crafted out of rural dialects and a free-verse line filed to a brilliant sharpness."
— Christopher Spaide, The Boston Globe

"Duarte-Gray invites us as readers into the 'secret language' of her lyric with hunger and leaf and tongue and wound. It’s stunning work, and Duarte-Gray’s remarkable debut is one of wholly unique and unforgettable lyricism."
—Colorado Review, online

"Set in the nooks and crannies of rural Kentucky and the Tennessee border, the collection honors the linguistic style of Appalachia, as well as its people. . . . Duarte-Gray’s strength, however, lies most in her descriptions of the land itself, depictions of local flora and fauna interlaced with people’s voices, Appalachian folk magic, and sometimes archaic-seeming turns of phrase."
—Washington Independent Review of Books, online and print

"With her first book of poems, Even Shorn, Isabel Duarte-Gray has carved out a new and haunting polyvocal poetics of kinship, orature, rurality, fear, and loss. Loosely inhabiting four generations of Duarte-Gray’s maternal family’s history in rural Kentucky, Even Shorn is a devastating refashioning of the pastoral lyric tradition, spoken from a place of sharp insight and deep mourning."
—Interview with Edith Clare, Full Stop

"What reader would not be tempted to open the slender volume and risk getting bitten, just to see what’s inside? The first poem, Night Jar, begins with a dress the color of a red dairy barn. Lightning bugs hang low like an angel stopped to think a spell. In the darkening, the red gets lost, and the poem ends, no color left at all. Driskill, Kentucky are the last words on the page, and when asked about the place, the poet answers with, 'Is it real?' The same question can be repeated throughout the book, as the people and places in the poems come from family stories, Southern folklore, and the history of Western Kentucky. Locales in the region — places perhaps never mentioned in poetry or celebrated in history — include Kentucky’s Lyon County, Grand Rivers, Murray, Dycusburg, Eddyville, Paducah, and Dresden, Tennessee."
—"Isabel Duarte-Gray’s first book of poems features voices of Western Kentucky" by Constance Alexander, KY Forward

“Isabel Duarte-Gray’s book is like no other — a text that ‘thinks the spell,’ cut-off tales, callings, sudden leaps in lines ‘split in two,’ perhaps like this collection itself, splicing carefully through the belly, the heart and the sternum — animals, wives and husbands. You  choose. The more you read, the more you scrape and peel through the night fallen - ‘sniffing for the temperatures of life.’ Isabel Duarte-Gray’s grasp of deep and perhaps forbidden vernaculars, cultural edges and crossings is profound. The place is underground, underwater, under the crackling structures and somewhere inside abandoned, formless barns in a far-off crimson.  An immediate prize-winner. A bold, brave, rare, genius, meticulous, deeper and deeper at work.”  
—Juan Felipe Herrera, Poet Laureate of the United States, Emeritus 

“The creeks the tears the patriarchy. The Osage orange the intelligible terror. The tiny towns. The no towns at all. The dragonflies the bones the lilies. The difficult ongoing work of recovery. The marriages the handsewn linens the burials. The excess. The shortage. The fear, and the ways to get past that fear. The lists. The anecdotes. The scenes set and dismantled. The herbals the escapees the strings .The listening. That's what you'll find, and it's far from all you'll find, in this strong first collection, a song of songs, an evidence of evidence, a manifestation from places some of us know and many more of us should hear. I give thanks for it.” 
—Stephanie Burt